Apple is updating Final Cut Pro X with powerful new features designed to enhance remote workflows and speed up editing for content creators. Improvements in creating and managing proxy media provide editors with portability and performance when working with large resolution formats, or when collaborating remotely.
New social media tools automate video cropping in square, vertical, and other custom sizes for popular social media platforms, and new workflow improvements enhance the versatility and performance of Final Cut Pro — making the Mac stronger than ever for all video editors and motion graphics artists.
Now, more than ever before, users are editing remotely across a wide range of locations. Today’s update to Final Cut Pro includes major improvements to proxy workflows that make libraries more portable and streamline remote work with large, high-resolution files. For the first time within Final Cut Pro, video editors can create proxies in either ProRes Proxy or H.264 in dimensions as small as 12.5 percent of the original. They can also consolidate proxy media, images, and audio to an external or network-connected drive.
A Final Cut Pro Library can even be relinked to proxies already created for added flexibility. Editors can now link to proxy media generated by third-party applications via XML. Examples include Frame.io, a cloud-based creative collaboration platform for review and approval, plus asset management tools like Keyflow Pro and PostLab. If proxy media is not available for some clips, users can adapt workflows to display either the original file or an optimized version.
The update to Final Cut Pro makes the experience of delivering social media content easier than ever. Using machine learning, clips in a project can now be automatically analyzed for dominant motion and intelligently cropped with Smart Conform to convert them into square, vertical, or any other sized video — perfect for popular platforms like Instagram, Snapchat, and Twitter. Transform Overscan reveals media outside the crop boundary when adjusting scale, rotation, and position, which allows storytellers to easily reposition the crop. Video editors can also add a Custom Overlay to guide them when placing text and graphics within a non-landscape frame.